Yoga

The NAGA and the Nav Naga Stotra by Maré Hieronimus


Recently I have been working with the NAGA or snake deities, and have been drawn to understand more deeply the meaning behind the great power of their symbology. 

Naga translates from the ancient Sanskrit as Snake. Snake worship is one of the most primordial and mysterious practices of the world, important across the continents and the ages. In each culture and civilization the meaning and symbology of the snake is specific. But there is a universal root to these mythologies which is based in nature. That shared root sheds light upon the essential energy of the snake archetype, and it's meaning and function in our lives. The Naga also has very specific importance in Yogic and Tantric thought. 

We can understand some of the meaning contained within this worship through analyzing the symbols and archetypes associated with the Naga.

The Snake is a creature who sheds it's own skin, rebirthing itself and becoming anew, over and over again. Because of this rebirthing process, the snake is cross-culturally associated with transmutation and the healing and transformation process. The snake is a symbol of this earthly regeneration, and is also closely linked to the element of water through the waterways in which it can be found. The element of water is linked to Prema, or Love, which is one of the three root cosmic forces within the universe from a Yogic perspective (the other two being Prana or Energy, and Jyoti or Light). Prema, Love, is the force of cohesion, and that which binds the cosmos together. The snake is also an extremely powerful creature, who with a single strike can poison it's prey. The serpent, mysterious, majestic, beautiful, and powerful, is interwoven with these concepts and the deep histories of our world. 

Aside from the symbology of the creature, the Naga are also said to be an extremely ancient Indian race of legendary mythological and archetypal beings intimately associated with the cobra. The Naga race were said to have lived close to the earth, or underground, and said to have built an advanced civilization. They were also said to possess superhuman powers, be the keepers of a secret and esoteric knowledge, and because of this they could be dangerous. 

The coiled snake is also the symbol for the divine feminine Kundalini Shakti that lies dormant at the root of the spine. Like the cobra, the Kundalini Shakti is a powerful energy that when released into the body can give experiences of great majesty and ecstasy, but when un-tempered and without direction or guidance can be dangerous, as the Naga can be dangerous. Awakening can be a profound, beautiful, and at times terrifying and arduous process, as transformation is. 

Through all of this investigation and research I became aware of the Nav Naga Stotra. The Nav Naga Stotra is a hymn to these great archetypal beings, and this most mysterious and powerful energy existing within us all as The Great Goddess of Kundalini Shakti.

In my understanding, singing the Nav Naga Stotra gives protection from the darker forces at play within the world, and within our selves. We can sing the Nav Naga Stotra to integrate the shadow nature as we expand into pure one-ness and open into our own inner knowing. The Stotra also serves to protect us from ignorance and darkness, and from the roots of our own poison. As all great mystical teachings tell us, the power that each of us contains is much greater then we fully understand. And so, given this, we should respect this power, as it can also be the source of our own undoing.

I found very few recordings of this hymn online, and so I created my own in order to learn it, imperfect as it is. The underscore is created by the incomparable Cory Neale for a previous performance. 

The Stotra repeats 9x. It is suggested that the Stotra be sung in the morning, as well as evening if there is time.

may you experience great beauty, and protection, all along your transformative journey...

Om Namah Shivaya

 

अनंतं वासुकीं शेषं पद्मनाभं च कंबलम्
शंखपालं धृतराष्ट्रं च तक्षकं कालियं तथा
एतानि नव नामानि नागानाम् च महात्मन:
सायंकाले पठेन्नित्यं प्रात:काले विशेषत:
तस्य विषभयं नास्ति सर्वत्र विजयी भवेत्

Nav Naga Stotra

Anantam Vasukim Shesham Padmanabham Cha Kabalam
Shankhapalam Dhritarashtram Cha Takshakam Kaliyam Tatha
Etani Nava Namani Naganam Cha Mahatmanah
Sayankale Pathennityam Pratahkale Visheshatah
Tasya Vishabhayam Nasti Sarvatra Vijayi Bhavet

Dance Improvisation and The Five Elements by Maré Hieronimus


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Notes, Correlations, and Experiments: Dance Improvisation and The Five Elements

Maré Hieronimus/The Body Archive

Over the course of this past year, I have been facilitating a workshop which explores the movement and experience of the forces of the Five Vedic Elements through dance improvisation. Below are some of the notes and basic correlations. This is an ongoing and active body of research, and is some of the foundational investigation for my current visual and performance project, Body into Sky.


ETHER- Akash

Ether manifests the idea of connection, allowing for interchange between all material mediums, communication and self-expression.

Sensory Potential: Sound

Sense Organ: Ear

Motor Organ: Mouth-expression

Chakra: Fifth Chakra- Vishuddha- Throat

Alchemy: The field, matrix and source from which everything flows. Space continuum, the mother of the final four elements, The birth and initiation.

Qualities - expansiveness, pervasiveness, soft, light, subtle, abundant.

Action - provides room, looseness, openness

Facilitates - sound and non-resistance

Body: space- both internal and external, one-ness of matrix, interconnection, formless.

LMA Correlations: SPACE MATRIX, SPACE HARMONY, Active Stillness


AIR- Vayu

Air manifests the idea of subtle movement, manifesting ideas of direction, velocity and change, and giving the basis for thought

Sensory Potential: Touch

Sense Organ: Skin

Motor Organ: Hand-grasping

Chakra: Fourth Chakra, Anahata, Heart.

Alchemy: The idea or thought or mental activity born from the ether of space. The idea moves into manifestation through the Agni/fire. Cosmic substratum, infinite, unbounded. A continuous medium.

Qualities - mobility, dynamics, movement unimpeded, key element for fire to burn. Existence without form.weightless, mobile, cool, dry, porous and subtle

Action - motion or movement, evaporation, dryness

Facilitates - touch and vibration.

Body: the breath/wind that moves that body, empty space inside body- specifically between the joints; the skeletal system

LMA Correlations: SPACE, Effort Quality: SPACE-Direct/indirect


FIRE- Tejas or Agni

Fire manifests the idea of light, allowing for perception and movement from place to place, therefore also transformation, transmutation, change.

Sensory Potential: Sight

Sense Organ: Eyes

Motor Organ: Feet-motion

Chakra: Third- Manipura- Navel/Solar Plexus

Alchemy: The spark, impulse, heat through which the air/idea is transformed. The idea is the seed, but cannot transform without the heat, which is the key to all alchemical transformation. The power to change solids to liquids or gas and back again. Digestive power. Impulses through the nervous system- the impetus.

Qualities – Radiance, hot, sharp, dry, subtle, weightless and rough

Action - radiation of heat and light

Facilitates - form, color and temperature

Body: the digestive organs and tract, the heat/Agni that is available for digestion; blood/circulatory system and heart related.

LMA Correlations: EFFORT, Effort Quality: TIME-quick/sustained


WATER- Jala or Apa

Water manifests the idea of liquidity or flowing motion, allowing for life.

Sensory Potential: Taste

Sense Organ: Tongue

Motor Organ: Urino-Genital- emission

Chakra: Second Chakra – Swadhishthana, Sacral

Alchemy: The flowing substance, which is heated by the spark (fire), initiated by the idea (air), born from the ether field. This is pre- solidified. The water is needed to assist the fire from burning itself out- so in this sense the water modulates the fire and creates a cooling environment through which the Agni can act without destruction. This is pre-FORM.

Qualities - moist, cool, soft, and sticky fluidity, change, flow, movement with weight. Guided or defined by earth, Cohesion

Attribute - cohesion, lubrication

Facilitates - fluidity and taste (via saliva)

Body: all fluids of the body (70 percent) including seat, tears, craniosacral, synovial, sexual, and the lymphatic system.

LMA Correlations: SHAPE, Effort Quality: FLOW- free/bound


EARTH- Prithvi

Earth manifests the idea of stability or solidity, giving resistance in action. Inertia

Sensory Potential: Smell

Sense Organs Nose

Motor Organ: Anus-elimination

Chakra: First- Muladhara, root of spine.

Alchemy: the solid form which is manifest through the thought, spark, fluidity, the last stage of bringing something into being and “physical completion”. The physical world is a manifestation of this last stage. This is FORM.

Qualities - stability, permanence, rigidity, density, heavy, rough, solid, stable, slow.

Attribute - resistance, densityFacilitates - fragrance, odor and shape

Body: The muscles, connective tissues and density of the body. Muscle, bones, teeth, tissues. As Air creates bones and fire creates blood and Water creates Lymph, all are manifest through the Earth, which brings the energy into matter.

LMA Correlations: BODY, Effort Quality: WEIGHT- light/strong, weight sensing


Every substance in the world is made up of these elements, with certain elements predominant.

The Doshas and Yoga by Maré Hieronimus


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Yoga and Ayurveda are two sister sciences that spring from the same root. Yoga is the science of self-realization, and Ayurveda is the science of healing.  They both stem from the great stream of Ancient Vedic teachings, that are over 5000 years old. There are several main branches of Vedic Philosophy and knowledge. One of the main branches is Samkhya Philosophy, which was given to us by the sage Kapila (2000 years ago).

This Vedic Philosophy and Cosmology can be said to be one of the mothers, if not the mother of Hatha Yoga and Ayurveda. Samkhya Philosophy is one of the most ancient of Indian philosophies, drawing directly from the Vedas, the Upanishads, and the Bhagavad Gita. Samkhya describes 24 Cosmic Principles (Tattvas) that form the foundations of Yoga and Ayurveda.

These 24 Cosmic Principles describe the process of manifestation from subtle to dense in the world, as we know it. I am not going to go into all of these principles, but I want to mention the first four (and the zero principle), and then the last five, because they have a direct relationship to the material that I have been working with, and provide a framework for understanding how intertwined the practices of Yoga and Ayurveda actually are.

The first cosmic principle is Prakriti, which is primordial nature. This has yet to be manifest in any form, and is the universal substance of all that we know in the world.

The second cosmic principle is Mahat, or cosmic intelligence. This stipulates that there is an intuitive intelligence at work, a higher mind or knowledge that is operating underneath and through this Prakriti, or primordial nature.   It also stipulates that each of us at any point can connect to this cosmic intelligence, which is the superior mind.

The third cosmic principle is the Ahamkara, or the ego.  This is not just the ego as we know and understand it today. Ahamkara is the principle of differentiation and division. All life differentiates, and from a Vedic perspective, it differentiates in order to integrate back into the whole. So therefore from a Vedic standpoint, this process of division, which we know in our lives as the ego that separates one person from the next, is a necessary process in the course of life and evolution.

From this division comes the fourth cosmic principle, which is Manas, or inferior mind. Manas is the mind that we know and experience within ourselves on a day-to-day basis. It is the basis for logical thinking, and operates through reasoning, memory and rationalization.  It is the daughter of the ego.  In order to be in touch with what is greater than ourselves, we would need to connect to the superior mind, which from a Vedic perspective is intuitive.

Outside of these 24 Cosmic Principles is the 0 principle, which is the Purusha, or the spirit, or pure consciousness. In Yoga we call this the Witness Mind (which you may have heard mentioned in Yoga class), that is to say, that part of ourselves that exists beyond the Three Gunas (creation, preservation, and destruction), and beyond karma, (cause and effect). The Purusha operates through the Prakriti (primordial nature), and they are intertwined, as Siva and Shakti are intertwined. So, while incarnated, the Purusha begins to forget it’s actual nature, and true connection to the Atman, which is our connection back to divine nature.  The path back to this nature is the path of Yoga (self-realization), or union, which is spelled out in Patanjali’s Yoga Sutras that form the foundation of Hatha Yoga.

So from these first cosmic principles, Samkhya Philosophy in essence gives us the blueprint for the human being, and the journey that we are on.

The last five principles that I want to mention are The Pancha Manhabhutas (The Five Great Elements). These Five Great Elements are the last of the principles to manifest and to be described.  It is said that if we could meditate upon these Five Great Elements, then we could begin to truly know the secrets of the universe, and the mysteries of the cosmos.

The Five Great Elements are: Ether, Air, Water, Fire and Earth

 Ether- Akash Boundless space, abundant, smooth, clear, the secret element- mother of the other four elements

Air- Vayu Mobile, active, mind, unstable, changeable, cold, dry

Fire- Tejas Transformative, transmutation, hot, dry

Water- Apa Fluidity, formless form, mobile, wet, cool

Earth- Prthvi Solid, form, dry, cold, stable

The Five Great Elements move and manifest from subtle to dense, as all matter manifests from energy. These five elements can be thought of both energetically, and then physically as well. They can be perceived as the subtle currents of the world around us, and the qualities that they give us, as well as the matter that we come into contact with. We should perceive and interact with them through both their dense form, and their more subtle form (their qualities and characteristics).

Working with The Five Great Elements is the primary means by which Ayurveda, or “the science of life”, operates to heal the individual.  Both Ayurveda and Yoga view each human being as a unique combination of all of these five elements, with elements that predominate over others. Learning what ones energetic makeup is through these five elements is to begin to work in harmony with these forces. So Ayurveda is essentially an ancient energy science that assists the individual to move into Yoga, or union and self-realization (or at least create a greater sense of health and well-being).

To work with these forces directly or indirectly, The Five Great Elements form The Three Biological Humors, or The Three Doshas of Ayurveda.

Each Dosha is a combination of two of these five elements. Each human being can be classified as one, two, or sometimes a balance of three of these biological humors.

The Doshas are:

Vata (air/ether), Pitta (fire/water), Kapha (water/earth).

So, in order to work with these Doshic forces, and to harness these forces within our yoga practice, it is necessary to fundamentally understand what the five elements are, and specifically what qualities they give us.  Working from this point, we can begin to engage the active and inactive forces within the body, moving into increasingly more aware and subtle states, and shift the focus and outcome of our practice.